How FilmLA Blocks Bike Lanes

...lict of interest. If the choice is between the safety of bike commuters or making production companies happy, you can guess that FilmLA’s likely to opt for the latter. Previous attempts to address unsafe closures of bike lanes by myself and other bike activists have gone nowhere. Call FilmLA to complain and you’ll be greeted with either indifference or outright hostility. Call the police to complain and they’ll direct you to parking enforcement. C...

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Saturday Linkages: We Are All Liars

...which the machine knows nothing. This production is not for the purpose of making meaning. It is for the purpose of producing effects on users that keep us hooked. It is for the purpose of making users the conduits of the machine’s power, keeping its effects in circulation. Faked celebrity deaths, trolling, porn clickbait, advertisements, flurries of food and animal pictures, thirst traps, the endless ticker tape of messages mean less than they pe...

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Hoshigaki Season!

...of red and yellow leaves that comes elsewhere. In our house we believe in making hoshigaki in the fall with persimmons from either the market or, better yet, a neighbor or friend rather than chugging those pumpkin spice lattes. We’ve got a row of seven store bought persimmons hanging in a south facing window and plans to start more. Here’s what they look like when completed. If you’ve never tried making hoshigaki, a kind of transcendent dried fru...

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William Morris is the Marie Kondo We Need

...an poet, designer and artist William Morris. An address Morris delivered in 1884, entitled Art and Socialism has a hint of Kondo’s decluttering impulse but a much deeper and less individualized understanding of the meanings of the objects that clutter our lives. Kondo asks us to consider if an object “sparks joy.” Morris, on the other hand, asks more systemic questions: Who are the workers behind the object I’m holding? Do the workers live a life...

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My New Thoughtstyling Throne

...he BarcaLounger which shows you how far this American Empire has declined. Making Stickley’s #336 involved an nerve racking steam bending process. The wood went in a makeshift box fed with steam from a wallpaper steamer. After an hour in the steamer the wood was quickly rushed to a form made with plywood. I had to actually sit on the arm to get it to bend. On the first attempt the arm broke and I had to do it all over again. When I was done with t...

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