Protein Synthesis: an Epic on the Cellular Level!

A Nobel prize winning biochemist explains protein synthesis via a dance and music psychedelic freak out session? Yes, that really happened in the 1971 educational cult film classic Protein Synthesis: an Epic on the Cellular Level!

The film is introduced by Paul Berg, who won the Nobel prize for chemistry in 1980 for his work in recombinant DNA. A staff member with a sense of humor alerted me to this movie while I was a grad student at UCSD. I even got to meet one of Berg’s students who said that he was an amazing teacher always looking for creative ways to visualize science. The director and band leader, Robert Alan Weiss, later married Initiator Factor Two. You can read more background on the film here. And a special thanks goes out to the UCSD library for posting a high quality copy.

Obviously it’s well past time for a Covid-19 and/or vaccine remix of this film since both the virus and the mRNA vaccines work by hijacking the very same protein synthesis mechanism depicted by Berg, Weiss and company.

Of Mushrooms and Capitalist Ruins

You really should join your local mycological society especially now that fungi are finally getting much overdue attention in the academy and popular culture. The Los Angeles Mycological Society has a book club overseen by Aaron Thompson that’s explored both the biology and our complex social relationship to fungi. The last book we read was one of the best non-fiction books I’ve ever read, Anna Lowenhaupt Tsing’s The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins.

The book begins with the stories of matsutake pickers in the Pacific Northwest, a heterogeneous group of recent Southeast Asian immigrants, middle class Japanese Americans and white survivalists. Beginning with the pickers and middlemen, she traces the long supply chain of this extraordinarily expensive mushroom, that’s given as a gift in Japan, and shows how these cultures interact with their histories and the environment.

The strength of this book is that Tsing doesn’t shy away from complexity and contradiction. She doesn’t try to tie everything into a tidy narrative. What emerges from this story of matsutake is not a neat timeline but an assemblage, a messy collision of cultures, biology and economics. Tsing’s ethonograpic mosaic mirrors the biology of the fungal world which is itself a bundle of contractions, at times symbiotic at other times parasitic with a complexity that we’ll never be able to fully grasp.

Matsutake, it turns out, thrives in forests disturbed by human activity. Like Kat Anderson’s masterful Tending the Wild, Tsing’s book shows the mistake of considering “nature” outside the presence of human beings. The matsutake economy, it turns out, is just about the perfect story with which to consider the neo-liberal and precarious ruin we find ourselves in. Tsing says,

Without stories of progress, the world has become a terrifying place. The ruin glares at us with the horror of its abandonment. It’s not easy to know how to make a life, much less avert planetary destruction. Luckily there is still company, human and not human. we can still explore the overgrown verges of our blasted landscapes–the edges of capitalist discipline, scalability, and abandoned resource plantations. We can still catch the scent of the latent commons–and the elusive autumn aroma.

Following the matsutake’s long mycelium threads, wherever they lead us, might just be what we need to do right now.

Weekend Linkages: A Geodesic Thanksgiving

A cardboard geodesic dome for your cat

The true costs of driving

Fall flowers: Which marigold is right for you?