The AI children’s books advertised on my Kindle combine titles that have an English-as-a-second-language vibe, vaguely Manga style cover illustrations and author names such as “Leanor Varelade” that either yield no search results or are close to the names of real people (Leonor Varela is a Chilean actress). In short these books are what you would get if you took a statistical average of the entirety of the internet and barfed it out as a book. This is, of course what “artificial intelligence” actually is. We don’t and likely never will understand what human “intelligence” is let alone come up with a model of it. What we call AI is just a enormous statistical modeling game not “intelligence” whatever that is. AI is part of yet another hype cycle out of Silicon Valley giving us things that move fast and suddenly break leaving the world a worse place. We’ve seen this with self driving cars, cryptocurrency, social media, and Elon Musk’s tunnels to nowhere and failed Hyperloop.
There’s certainly useful things we can do with these large statistical models. Writing children’s books, however, is not one of them. It’s a fundamental misunderstanding of the nature of language, how humans gain experience and how creativity works. I met a translator recently who does English subtitles for Japanese movies and TV shows. Her work is beginning to be replaced with computer based translations. She expressed her frustration that the studio bosses don’t understand that the Japanese language is not in some kind of one to one relationship with English, that it carries cultural associations and subtleties that no computer will ever be able to parse. In short, that translation is interpretation and that human beings need to be involved in that process.
What I got when I asked Google’s AI, Gemini, to create a Thomas Kinkade painting with brutalist buildings.
Part of me admires these AI children’s book hustlers. There’s a long and creative history to be told about the long arc of scammers, from the card sharks of earlier centuries to the crypto bros of the present. If I taught creative writing I’d suggest to my students that you should go ahead and try these tools and see what happens. Maybe there’s a great post-modern novel in this technology, a true “death of the author.” And the early, wonky, days of AI images produced some hilarious results. But I suspect that the real scam is likely selling people on the hustle of selling AI books, not actually creating and selling the books. I’ve been unable to figure out if these titles are the result of an individual or some kind of foreign scam farm. I suspect the latter since someone has the capital to buy a lot of Kindle ads.
What AI text tools like ChatGPT really excel at is filling out is bureaucratic forms, those documents nobody actually reads. An admission: I once used ChatGPT for this purpose and got complimented for my writing skills. Maybe we can replace the bosses with AI bots who will simultaneously generate and read this textual nonsense leaving us all more time to garden, handcraft chairs and go for long walks. But that’s not, of course, the way things will work out. AI will likely just put already vulnerable people out of work.
A dead person loses the predicates of a living being, yet he or she remains the same person; an undead, on the contrary, retains all the predicates of a living being without being one — as in the above-quoted Marxian joke, what we get with the vampire is “the ordinary manner of speaking and thinking purely and simply — without the individual.”
