On Tuesday the Los Angeles City Council, under heavy pressure from the film industry, voted to remove most of the green paint from bike lanes on Spring Street. The lanes had been installed two years ago as part of a pilot project to test this type of highly visible bike lane used in other cities such as New York and Chicago. Film industry groups complained from the very beginning, claiming that the lanes screwed up their shots. The lanes, however, were popular with local businesses, the Downtown Neighborhood Council and residents. And a bike count conducted by the Los Angeles County Bicycle Coalition showed an overall 52% increase in bike traffic on Spring Street. There was a 100% increase in women cyclists on weekdays and a 650% increase in women cyclists on the weekend.
I was a part of a group of cycling advocates who attended the City Council meeting. Before the bike lane issue came up on the agenda, we all had to endure a two hour self-congratulatory tribute to an outgoing, term-limited councilman. When the bike lane agenda item finally came up, councilman Huizar announced that the Council and film industry had reached a “compromise” and that there would be no public comment. So much for democracy.
The “compromise” consists of removing most of the green paint. Here’s the before and after:
As a pilot project, theses lanes were under evaluation by LA Department of Transportation engineers. The council, essentially, interfered with this experiment at the behest of moneyed interests. It would have been nice to see if these lanes increased safety. Now we won’t know.
After the council approved the compromise, without public comment, Councilman Tom LaBonge came up to me and asked me what I thought. I told him that I thought the council was compromising safety. He told me that the film industry is important here. I asked him if he thought a film is worth a human life. He said, “we’ll have to agree to disagree.”