053 Breakfast Nook Theory

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On this week’s podcast Kelly and I discuss our recent breakfast nook remodel and conclude with Kelly’s ideas about how to choose paint colors. I’m so lucky to have a resident Master of Fine Arts! We’re also lucky to have a digital copy of Architectural Graphics Standards!

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How to Make a Breakfast Nook Comfortable

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When our house was built in 1920, breakfast nooks were somewhat of a builder’s gimmick, cute, but not that comfortable. Take a look at the ad above. Do those benches look like a place you’d like to hang out in? How about the bench to table distance? Do you see yourself leaning far over your bowl of cereal? If you’re seating more that two, what about the person that has to slide into the window side of the nook?

Our breakfast nook served as fodder for some of our most fraught marital squabbles. Kelly looked at the nook and saw potential for storage and work space. I held to my line of not altering the historical details of our old house. We both agreed that changes needed to be made. We had, after all, voted with our derrieres. Neither of us used the breakfast nook for anything other than as a repository for junk. Here is our nook, as it looks today, after some changes we made to make it more comfortable:

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Those changes were made possible thanks to handy a resource called Architectural Graphics Standards. AGS, offers a set of standard measurements for everything from table height to the length of a fencing pistes. When it comes to furniture, just a half an inch can make the difference between comfort and discomfort. The main problem with our nook was that the depth of the benches were at the very minimum recommended by the AGS. So we extended the benches by a few inches:

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As you can see, the cat approves.

Another problem was the size of the table in our nook. By shortening the table, we made it a lot easier to get in and out of the nook:

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Of course, you can’t serve a dinner for four in the nook with such a short table, but we see it more as a place to gather and for the two of us to have breakfast (it is a breakfast nook, after all).

Kelly did a great job with the hard work of sewing pillows and cushions and painting all the trim and walls. And, yes, that is a functioning built-in ironing board on the left in the wide shot. More on that in another post.

How to Fix a Sash Weight

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Our house has the old kind of sash weights. Those sash weights perform two functions. They counterbalance the window so that it moves up and down freely and, since this is Los Angeles, they knock together loudly in an earthquake letting us know the rough magnitude and whether we should duck under a table.

When we moved into the house nearly every sash cord was busted and none of the windows functioned. Repairing these old windows is as lost an art as Roman augury. Most homeowners and house flippers here throw out the old windows and replace them with the sort of cheap sliding aluminum portals like you find on 1970s era truck camper shells.

That’s too bad, since the old windows look a lot better and are easy to repair. Here’s how you do it:

1. Look for an access panel in the window channel. If there is one, you’ll be able to access the weights and tie the cord to them through the panel. We weren’t so lucky. If you don’t have an access panel you’ll need to remove the window trim on either the inside or outside of the house in order to access the weights and the broken cord. I chose to remove the outside trim since it would make less of a mess and be easier and more forgiving to patch up.

2. If the cord is still in good condition you should be able to just retie it to the weight and the window should be back in operation. If not, you’ll need to get some replacement cord at your local hardware store.

3. To install a completely new cord remove the window from the frame and locate the circular hole seen in the diagram below:

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Tie a knot in the end of the sash cord and use a small nail to secure it in that hole. Thread the other side of the cord through the pulley and secure it to the weight as seen above.

Having lived with old windows now for seventeen years, I’m a fan. The cord/sash weight/pulley combo works a lot better than many newer windows I’ve dealt with. The downside is that the cotton cords break eventually. But they are easy to fix.

Pack Rat Palladio

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Admission: I’m a column hoarder. And the past few days I’ve been laying about, recovering from minor ailments and watching, through binoculars, a nice old house get demolished. I had my eye on the columns from the front porch and I just happened to be watching as the workers started pitching those columns into a dumpster. Summoning a reserve of foolish energy, I ran over and asked the workers if I could have the columns. I now have four more columns for my collection. Kelly is concerned.

Over the years I’ve acquired quite a few columns. I think their abundance has something to do with the Dwell Magazinifiction of our old neighborhood. As poet and artist Ian Hamilton Finlay put it, “As public sex was embarrassing to the Victorians, public classicism is to us.” The mid-century modern crowd just doesn’t dig the Doric, the Ionic or the Corinthian. Columns, molding, wood siding, old windows and many other ornamental details have fallen out of favor and are ending up on the curb.

House flippers loss, my gain. I’ve put my column collection to work as a grape arbor:

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As garden follies:
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And a pretentious flanking of our back door:

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I’ve done a bit of indiscriminate column hoarding too. This tacky one should probably have been let in the street:

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As soon as I recover from last week’s kidney stone surgery, I plan on restoring the four I just scavenged for use either as a shade covering for the back patio, a neo-classical clothes line or an extension of our rose arbor entry.

Perhaps someday I’ll aspire to something as grand as the broken column house in the Désert de Retz.

Haint Blue

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In the wake of our recent discussion of scrub jays and paper wasps, Donna, one of our regular readers, tipped me off to the Southern tradition of painting porch ceilings haint blue to discourage nesting insects — and restless spirits (“haint” derives from “haunt”) — from making themselves at home in our living spaces.

Haint blue is not a single shade of blue, but refers rather to a blue used for this purpose. The actual color could run from soft powder blue to true sky blue to bright teal.

While the cool, airy white porch with a blue ceiling speaks to elegant Victoriana, I’ll note that the practice probably does originate in the traditions of the Gullah or Geechee people, brought to this country as slaves. They’d mix up lime paint in various shades of blue and paint not only their ceilings, but around doors and windows–around every opening into their home, to protect themselves from evil spirits.

I spent a little time ( a very little time, admittedly!) looking for some solid historical writing on this haint blue business, but found nothing but hearsay. The same basic info seems to be distributed all over the Internets,  which means the resource pool is pretty small, or pretty shallow. Nonetheless, I think the idea of a blue porch ceiling very appealing, if for no other reason than it extends the open sky into our living spaces.

All this business is novel to me, a Westerner born and bred, but perhaps some of our readers from the South will have comments or experience with haint blue?

In the meanwhile, our front porch is overdue for painting, and I think I’ll try a blue ceiling this time. I’ll let you know what the wasps (and spirits) make of it.

For more information, the good folks over at Apartment Therapy have a post which covers the basics of what the Internet knows about haint blue:

Pretty and Practical: The History of “Haint Blue” Porch Ceilings

And Donna’s original comment pointed to this show, called You Bet Your Garden.

Thanks, Donna!