How to Carry Heavy Objects with a Two-Person Carrying Pole

Moore’s law, the idea that computing power doubles every two years is one of the many stories we like to tell ourselves about our culture’s march of progress. But there has to be an inverse of Moore’s law, a cultural forgetfulness that leaves good ideas behind that don’t involve transistors or internal combustion engines. In an old issue of Dwelling Portably, a typewritten zine about living on the cheap I came across a forgotten (at least in the developed West) technique for carrying heavy objects,

Once, while working on a tug boat, the marine engineer asked me to help carry a heavy, greasy, irregularly-shaped chunk of machinery. I assumed we would both just grab hold and struggle away. But the engineer, being of Filipino descent, knew a better way. Wisely, he found a 2-by-4 and lashed its middle to the machinery. Then we each took hold of an end of the 2-by-4. That made our task much easier, and kept us clean.

Other than the awkward phrase “two-person carrying pole,” I can’t find an English word for this method. And note that I’m not talking here about the related milkmaid’s yoke or “shoulder pole,” a method for one person to carry two objects such as buckets. Other than hunters, the two-person carrying pole seems to have fallen out of fashion. Except in Asia. Here’s a video of two people using a pole to carry a television down a staircase in China:

I decided to do a quick test of the concept. Since the only access to our house is up 30 steps, I can’t believe that I didn’t know about this technique earlier. With just a closet rod, a hook and a strap I put together a simple carrying pole in just minutes. Here’s Kelly and I using it to carry a bundle of firewood up our stairs:

It worked amazingly well. I noticed that you do not need to put the pole on your shoulder but, with small objects at least, you can carry the pole at waist level. Some other possible improvements:

  • Use webbing or sew together a set of adjustable straps to use for irregularly shaped objects.
  • Pad and/or contour the pole so it’s more comfortable on your shoulders.
  • Make a kind of carrying platform or box to put multiple smaller objects in like a set of grocery bags.
  • Use two poles and four people for really heavy objects.

I have a utility dolly for really big things like refrigerators but I think the carrying pole would work much better for most other objects.

The carrying pole can be used to carry people, a use for which there is a word in English: “litter.” Here’s a carrying pole being used in Guatemala to carry an injured man to the hospital:


I’m hoping that the litter version of the carrying poll will become Kelly’s new way of getting around the neighborhood during the hot summer months:

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In all seriousness, I would like to figure out a way to get relatives up our steps. That means you can look forward to some litter (not cat litter!) experiments on this blog.

Saturday Tweets: Knights on Roosters, Edible Spoons and Raccoon Attacks

Sprouted Rye Class This Saturday!

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I’m teaching a rye bread class this Saturday May 14th at 10:45 AM at Holy Nativity Episcopal Church in Westchester. I’m going to walk you through how to start a rye sourdough starter, how to sprout grain and how to work with 100% rye doughs. There are still a few seats available so sign up soon. As a bonus, there will be a pizza lunch and community bread bake using the community oven built by Environmental Changemakers. To sign up for the class head over to the Los Angeles Bread Bakers Meetup Group.

Harry Partch: Woodworker and Composer


Back in the 1990s, in a cramped out of the way basement deep in the bowels of San Diego State University, I got to hear a pure, mathematically perfect musical interval for the first time. The sound came from a pump organ, modified by musical heretic Harry Partch. The organ was under the care of Danlee Mitchell, who kept Partch’s idiosyncratic legacy alive after Partch died in 1974. Once you hear just intonation you can’t un-hear the compromise that is modern “equal” tempered tuning (for an in depth explanation of the difference between just and equal temperament, this documentary explains it all). Let’s just say that hearing that “perfect” perfect fifth, was one of those moments that caused me to question everything I thought I knew about music.

But Partch pushed beyond just tuning. Why do we have only 12 notes in a scale? Why not 43? Here’s Partch explaining and demonstrating his 43 tone scale:

Since you can’t go down to your local music shop and buy 43 tone musical instruments, Partch had to get crafty. He described himself as “a philosophic music-man seduced into carpentry.” And, over the years, he built many beautiful musical instruments:

The Quadrangularis Reversum.

The Quadrangularis Reversum.


Gourd Tree and Gongs

Partch was a master of up-cycling, making use of military and industrial surplus. Below, his “cloud chamber bowls” made from the tops and bottoms of 12-gallon Pyrex carboys found in a UC Berkeley radiation lab.

Cloud chamber bowls.

Cloud chamber bowls.

Here’s Partch talking about the cloud chamber bowls and playing them:

You can see all of Partch’s instruments here.

Partch’s music can be jarring at first. Then it grows on you. I think my favorite Partch composition is Daphne of the Dunes. It sounds like an artifact of an ancient culture that never (but should have) existed:

Partch pushed the cultural envelope so far that he’s often labeled (I think, disrespectfully) as an “outsider”. We should instead see him, both as carpenter and composer, as a visionary.

So to the person who suggested we do a music post, this one’s for you!